Skip to main content

Fantastic Plot Holes And Where to Find Them




I swear I’m not obsessed with Harry Potter.


Okay, maybe just a little.

That's only proven by the fact that the "Potterverse" was the first thing to pop in my head when I read this prompt. Let’s be honest, there’s A LOT of rule-breaking that happens in Harry’s world, especially after the seventh book when J.K. Rowling goes back and tries to change the entire narrative by providing us with “new” information that she suggests was there the whole time. Looking at Dumbeldore’s supposed queerness here.

Between The Cursed Child and Newt Scamander’s movies, I’m not really sure what is canon anymore. However, for this blog post specifically, I want to chat about Fantastic Beasts: The Crimes of Grindlewald.

Let’s list some of the ways this movie violates the canon of probability:


  • Minvera McGonagall shows up as a professor in the movie, which is set in 1927, eight years before she was born.
  • Dumbledore, canonically a Transfiguration professor before becoming Headmaster is shown as the professor Defense Against the Dark Arts.
  • All of the Lestranges die in the movie, so how do Rabastan and Rodolphus Lestrange end up in Harry’s time.
  • Apparating on Hogwarts’s ground is a no-no, but it happens ALL the time in the movie.
  • The Mirror of Erised shows a flashback in this movie, but canonically it is supposed to show your deepest desire and only that. In the movie, it acts as more of a pensive, which is a whole other magical artifact that already exists.
  • The Blood Oath/Unbreakable Vow taken by Dumbledore and Grindelwald doesn’t fit in the timeline. If they did it before the three-way rule between Aberforth, Albus, and Grindelwald that led to Ariana’s death, the two would have died as a result of attacking each other. After the duel, they’re no longer friends/lovers/etc so there’s no chance or reason for them to do so.
  • Nagini suddenly is a person rather than a snake and is cursed to become a snake with a spell we have never heard of before this movie.
  • Leta Lestrange is born of circumstances very similar to that of Voldemort. Her father used a mind control spell and Voldemort’s mother used a love potion. However, Leta is able to feel love, unlike Voldemort.


There are tons and tons more (and that’s ignoring everything from Rowling’s online Twitter postscripts).

The Elder Wand passes to a new owner when the owner is defeated and disarmed, which Tina does to Grindelwald. Yet, she does not become ruler of the wand.

Okay, we get it, Em, there are a lot of plot holes/violations of the narrative probability. Why are you telling us all this? Well, each of these violations changes and destabilizes the canon. It removes us from the story and basically makes viewers go “WTF, Rowling?!?” when watching. It takes us out of the wizarding world and back into reality.

In the simplest sense, Rowling is reinventing rules established in the books to create Newt’s narrative and thus sell more merchandise, more books, more movie tickets, and so on. In my opinion, there is no real canon for the Potterverse any more. Can a narrative break all its rules and still be immersive? Well, I went to see the movie on a date, and my partner (who isn’t a major Harry Potter fan) got a bit annoyed with me because the whole movie I kept whispering “wtf” and “that’s not right” to myself. So, I’m going to say no. That these kinds of violations make it impossible for us to remain fully immersed in the narrative.

Comments

Popular posts from this blog

Melanie and Melanie: Growing up with Separated Lesbian Moms in the South

I came from a sperm bank, well I came from a vagina, but first I came from a sperm bank. That’s not generally my opener, but we need to make it clear. My moms discovered their sexuality long before I came along in 1992. When I was three, they separated. Gay marriage had not been legalized up to this point, so there was no divorce process involved. However, my mama, Sharon, she gave birth to me, and she wanted full custody of me. My other mom, Sylvia, worked tirelessly to pay for my existence and Sharon’s pregnancy care; she loved me, and I was her child no matter what. They went to court, and Sylvia became one of the first lesbian parents in the state of Texas to receive shared custody of a child that was not biologically hers. In some cases, this still doesn’t always happen, particularly in cases with gay and lesbian parents, regardless of how involved the parent is in their child’s life. “Who do you want to live with?” Flash forward seven years or so, and I’m being given more

Voices from Below

It is, to my mind, an undeniable fact that all areas of academic study benefit from the effective use of narrative. Literature, history, and the arts are natural candidates, yet even the maths and sciences can be enriched by including the human voices of those involved, telling us the story of what they discovered, how they did it, and what it means for humanity. What strikes me, though, is that the voices of those on the ground outside of the ivory tower of academe are still rarely heard, and even more rarely acknowledged and valued. In history, I want to hear more of the voices of those who did not "win," the so-called conquered peoples, the indigenous peoples, those crushed under the heel of imperialism. Some corrective measures have been taken to include these voices in the last few decades, but I know there is mountains more to be discovered. In the field of medical science, I want to hear the voices of those who unwillingly gave up their lives for our knowledge of

Needs more academic lingo

So I heard something funny on a podcast this weekend and it really struck a chord. The hosts, sweet souls that they are, were talking about people who become professors and how they must do it because they really care. After all, it’s not like they’re trying to get famous. I laughed, a lot, because seriously, what academic isn’t trying to make a name for themselves? Becoming faculty means writing and publishing, and getting your name out there while trying to break fresh ground on old material. That’s incredibly clear, given the amount of narrative theory ideas we read about this week.   And the more theories that are created, the more TERMS there are. They’re just everywhere… chrono-logic, fabula, sjuzet, catalyzers.   I mean, I get it, in the basics, but what kills me is how many  different ideas can be created to explain the how’s and why’s of story and narrative. I’ve tried to find a kind of unified theory of narrative theory, and so far, the names t