Skip to main content

Narrative Poetry Workshop for Queer Youth in Denton

Proposal: 

Two week summer workshop series for queer youth in Denton on how to utilize slam poetry/spoken word (specifically narrative slam poems) to tell their stories.

Goals: 

Utilize a queer friendly space to enable queer youth to feel empowered in telling their stories in an artistic manner while also demonstrating the importance of poetry and creative writing.

Importance: 

Queer kids face significant violence and discrimination both in and out of the classroom according to data from the 2015 national Youth Risk Behavior Survey (YRBS). This has a direct impact on their mental health, as according to a study by the CDC, "Nearly one-third (29%) of LGB youth had attempted suicide at least once in the prior year compared to 6% of heterosexual youth." Trans youth face even more issues, as based on data gathered in 2017 by the CDC,"Transgender students are more likely than cisgender students to report violence victimization, substance use, and suicide risk, and although generally more likely to report sexual risk behaviors, were also more likely to report being tested for HIV."

These kids need to find a way to process and talk about what they are going through, and I believe poetry may provide an avenue for these students to do so. In multiple mental health treatment studies, there have been positive treatment outcomes in which poetic therapy was used (Mcardle, S. and Byrt, R). Poetry While this workshop series will not be a therapy session, it will hopefully encourage queer youth to explore, tell, and process their stories through storytelling and poetry.

Furthermore, this will help show this group of queer youth that there is a queer artistic community in Denton. Doing so will help foster a sense of community for them and show them that they are not alone.

Ideal Sponsors/Collaborators:

(Note, there is a lot of overlap between these two groups in terms of members, so both would hopefully work together to sponsor) 
  • Spiderweb Salon, creative collective based in Denton, TX
    • Invite (queer) poets from Spiderweb to share their poetry and experiences with students
  • Outreach Denton, LGBTQIA+ outreach group based in Denton, TX
    • Currently hosts a youth monthly outreach event during the school year, but ends the group during the summer. Ideally, I would like to fill this gap for queer youth by offering them this space instead. 

Timeline: 

  1. Introduction class
    • Ice breakers 
    • Establishing expectations (student led and decided)
    • What is poetry exercise using examples from Milk & Honey and Milk & Vine
  2. How do we use poetry to tell stories?
  3. Getting into Slam Poetry
    • Watch example poetry slam performances & break them down
    • Writing territories / brainstorming ideas for our own poems
  4. Get Started Writing Our Own 
  5.  Writing
    • Work on writing poems
    • Slam Poet performance & chat last thirty minutes
  6. Writing
    • Work on writing poems
    • Slam Poet performance & chat last thirty minutes
  7. Workshop
    • Read Jack Ridl's "Repairing the House" and "The Poem and I Have a Little Conversation"
    • Model appropriate/inappropriate workshop behaviors
    • Workshop poems (1 hour )
  8. Editing
    • Work on writing poems
    • Slam Poet performance & chat last thirty minutes
  9. Editing & Performance Practice
    • Work on writing poems
    • Slam Poet performance & chat last thirty minutes
  10. Perform poems 
    • Ideally this would be open to the public and billed as a Spiderweb Salon event so as to help establish legitimacy of the student's works. 

Needs: 

  • Space for the class with access to a projector and computer (or at least a projector with an HDMI cord as laptop can be supplied by teacher), 
  • Writing materials
  • Ideally computers for student use and access to a printer (this can be worked around, however)
  • Venue for the performance  

    Comments

    Popular posts from this blog

    Melanie and Melanie: Growing up with Separated Lesbian Moms in the South

    I came from a sperm bank, well I came from a vagina, but first I came from a sperm bank. That’s not generally my opener, but we need to make it clear. My moms discovered their sexuality long before I came along in 1992. When I was three, they separated. Gay marriage had not been legalized up to this point, so there was no divorce process involved. However, my mama, Sharon, she gave birth to me, and she wanted full custody of me. My other mom, Sylvia, worked tirelessly to pay for my existence and Sharon’s pregnancy care; she loved me, and I was her child no matter what. They went to court, and Sylvia became one of the first lesbian parents in the state of Texas to receive shared custody of a child that was not biologically hers. In some cases, this still doesn’t always happen, particularly in cases with gay and lesbian parents, regardless of how involved the parent is in their child’s life. “Who do you want to live with?” Flash forward seven years or so, and I’m being given more...

    Speech in its essence is not neutral.

    “All fiction can be profitably regarded as argument” The OED Online defines “profitably” as: “with advantage or benefit; usefully” ("profitably, adv."). “Profitably” caught me off guard, but when I consider it in this junction, I’m inclined to agree. I found this quote in a work by Ronald Sukenick called Narralogues: Truth in Fiction . Sukenick makes this argument after establishing that he finds “significance” through the narrative as opposed to the plot. When I originally read the word “profitably” I felt myself wanting to be in disagreement with the claim because of the monetary implications of “profit.” Then again, I found it hard to make a case for a work of fiction that didn’t stand to gain from profit. We all have writings (and maybe even written narratives) that we don’t plan on showing to the world, but it’s hard to imagine not being willing to exchange those writings when offered money. That’s not an ideal way of thinking, but we don’t live in an ideal world. ...

    All Pickles Were Once Cucumbers

    I tried to take a more literary approach towards something that disrupts its canon, but I came up short. I thought about a lot of crossover episodes that seemed violating like when they did the whole Scandal/How to Get Away With Murder thing for the fans. Granted it worked, and now I’ve watched Scandal . Also, the “Uncle Grandpa” episode from Steven Universe was super annoying to me, but it is a children’s show and I probably shouldn’t complain about it. What I realized, instead, is that there are a lot of shows that break their canon of probability in ways that work- you may have already guessed which one I’m going with. The Living Handbook of Narratology explores the foundation of possible worlds: “The foundation of PW theory is the idea that reality—conceived as the sum of the imaginable rather than as the sum of what exists physically—is a universe composed of a plurality of distinct worlds. This universe is hierarchically structured by the opposition of one element, ...